Full Interview with Duncan Tonatiuh

April 23, 2013

Award-winning picture book author and illustrator Duncan Tonatiuh created a large-scale mural inspired by the work of Ezra Jack Keats for Draw Me a Story. Second, third and fourth grade students from Leggett, King and Glover elementary schools and The Lippman School helped contribute by sharing their winter experiences with Tonatiuh. He answered a few questions about the mural as he prepared his third picture book, Pancho Rabbit and the Coyote: A Migrant’s Tale for publication this May.

How did you become a children’s book illustrator?

It was never my plan to become a children’s’ book illustrator. The opportunity came to me and I am very grateful it did because writing and illustrating children’s books has become one of my great passions.

My senior thesis at Parsons School of Design was a short graphic novel I wrote and illustrated about an undocumented Mexican Mixtec worker. While working on that project I developed my current illustration style. One day a professor at Parsons named Julia Gorton came to critique my work and really liked what I was doing. She asked me if she could show my work to Howard, her editor at Abrams. She is a designer and a children’s book illustrator. I said of course and gave her samples of my work. Howard liked my illustrations and he invited me to his office to chat. He told me that he would contact me if he received a manuscript that suited my style. I told him I like to write also. He gave me his email and said that I could send him a manuscript if I wrote one.

Weeks later, while I was still working on my senior thesis I had the idea of picture book about two cousins that write letters to each other. The first cousin lives in a rural community in Mexico, the second one in an urban center in the US. I took the day off from my thesis, wrote the story and sent it to Howard. He wrote me back. There were some issues with the manuscript but he though the idea was very strong. He gave me edits and comments and we sent the manuscript back and forth several times over the next weeks until we were both happy with it. Right after I graduated from college I received the contract for my first book Dear Primo, A Letter to My Cousin.

What children’s books did you love as a child or an adult?

I loved Horton Hatches an Egg. I still do. It was one of the first books I read. “I meant what I said /And I said what I meant… / An elephant’s faithful / One hundred per cent!” I think that book had a deep impact on me because ever since I read it I’ve tried to be faithful to my word.

The Little Prince is another book I remember vividly from my childhood. I didn’t understand the story fully, but I remember being mesmerized by the drawing of the elephant inside the boa constrictor and the drawing of the sheep inside the box.

Another book I loved is Macario, by B. Traven. It is about a poor peasant whose dream in life is to eat an entire turkey by himself. When his dream is about to come true he receives three very special visitors. They all want some of his turkey. It is a very good book.

Right now of my favorite stories for children is Puss in Boots. I want to do a modern re-telling of that story.

You live in a non-snowy climate, how was it creating your own interpretation of a Snowy Day?

I went to a progressive boarding high school in Massachusetts and to College in New York City, so I’ve experienced plenty of North Eastern winters and snow. I did not have snow around me when I was young though because I grew up in central Mexico. Therefore, I never dress properly during the wintertime and I have a hard time with the cold and the lack of sun. I try to spend part of the year in New York but I avoid being there during the winter as much as I can.

How were you inspired by the student’s feedback?

I sent the students a short questionnaire asking them what winter looks, sounds, smells, tastes and feels like. I also asked them what is their favorite thing to down on a snowy day.

I did this for three reasons. First off, I wanted to make sure that the mural reflected some of the things kids today enjoy about snow and winter.

Secondly, I wanted to engage with the community. A mural is a piece of public art. People interact with it in a space. My hope is that kids, parents and teachers in Akron will want to go to the museum because they are co-creators of the mural.

The third reason is that I wanted to play with text as illustration. I wanted to integrate at least a few of the kid’s words in the mural. I asked them what winter sounds and feels like to get poetic answers. It was a lot of fun reading through them. Some answers were very evocative, “winter sounds like little sprinkles falling to the ground,” and some were very funny “winter looks like a world made out of slushie.”

It was fun to look at their writing too. Kids have great handwriting. Their letters are like drawings.

You have a very unique way of incorporating technology into your art making process. Can you explain your art making process?

First I make a rough design of my illustration. I make little thumbnails and sketches. Then I draw the different characters and elements of my image with a pencil. Once I like a drawing I go over it with a pen. Then I scan the drawings. I arrange the different characters and elements in the computer. I use Photoshop and work in layers. Once I am happy with the design I paste textures and photographic images into the drawings. Some textures I scan myself, others I photograph or find on the Internet.

Can you tell us about your upcoming book?

My new picture book is called Pancho Rabbit and the Coyote; A Migrants Tale. It is published by Abrams and it will be in stores this spring.

The book is about a Rabbit family. The father leaves and goes North, to el Norte, to find work because it has not rained and there is no work in the Rancho where the Rabbit family lives. After several seasons Papa Rabbit is due to come back, but he doesn’t. Pancho Rabbit, his eldest son, decides to go North and look for him. Along the way he meets a coyote that offers to help him in exchange for some of the food Pancho is taking to his father. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho!

The book is first and foremost a book for children. It is also an allegory for the journey and the dangers that undocumented immigrants experience while trying to reach the US.

I am very excited about the book and can’t wait for people to read it when it becomes available in May.


Author/illustrator D.Tonatiuh will be he

April 8, 2013

Author/illustrator D.Tonatiuh will be here for Sat’s Family Drop-In. His talk is at 12 pm. http://ow.ly/i/1QDNx http://ow.ly/jRBkd


Don’t forget that this is the LAST week

April 5, 2013

Don’t forget that this is the LAST weekend to see “New Artifacts: Works by Brent Kee Young and Sungsoo Kim.” http://ow.ly/i/1PCGT


Gravity and Grace Travels to Brooklyn, NYC

February 8, 2013

By: Arnold Tunstall, Collections Manager

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We’ve begun the next phase of our El Anastui exhibition, Gravity and Grace – after its premiere here in Akron.  Since the exhibit closed last October, the staff has been working nearly every day to prepare it for the national tour.  Our preparators re-designed existing crates, new ones and developed packing methods.

And I went to Brooklyn to assist with the installation.

Watching Brooklyn Museum’s curatorial team re-imagine some of the works was very exciting.  A few pieces were literally turned upside down, parts of Peak were turned into a forest of tin can tree forms and most dramatically, the installation piece Gli (wall) went from a maze of screens visitors walked around in Akron to soaring translucent pieces climbing up the height of the impressive rotunda in Brooklyn.

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While in New York, I was able to check in at Jack Shainman Gallery on the last day of Anatsui’s wonderful exhibition of new works. Later, I climbed up on the High Line to see how Anastui transformed the side of a building into a work of art with mirrored panels and rusty metal plates.  If you are in New York for the exhibition in Brooklyn, make sure to see this fantastic piece on the High Line (near 20th st.)

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The Brooklyn Museum has posted a number of images and a wonderful stop-motion video of the installation process check it out:


A Week In Denver Part Two: …and ALE

January 24, 2013

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By: Corey Jenkins, Communication Volunteer/Visitor Services

Those of you who read my previous blog know that I recently  spent a week in Denver, during which  I was fortunate enough to experience some of the city’s art offerings. The art was only part of the experience. This particular region of Colorado is home to several breweries, two of which I visited.

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My first night in Denver I was treated to dinner at the Breckenridge Brewery. Breckenridge is a microbrewery, and much like you might find at Goose Island in Chicago or Great Lakes in Cleveland, they operate a restaurant with their brewery. I enjoyed a platter of smoked wings and pork covered in a unique sauce that complimented the Breckenridge Agave Wheat ale that I had chosen to try. The Agave Wheat is an unfiltered American style wheat ale with a hint of agave. This particular ale was flavorful and bitter, yet still refreshing and light. Although I did not tour Breckenridge, it was an excellent experience and introduction to Colorado brew.

A couple of days later I made it the largest single site brewery in the world, Coors of Golden, Colorado.  I realize that those of you with sophisticated beer palettes may not be excited by Coors, however in terms of an everyday beer of choice Coors Banquet is my go to, so I was particularly excited for the tour. The brewery looks exactly like the Coors mythology would lead you to believe, nestled in the Rocky Mountain Foothills with a fresh flow of mountain stream water running beside it.

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Coors offers free tours that guide the visitor through their entire process and history. From their beginning in 1873 with founder Adolph Coors to their survival during Prohibition making malted milk, to Bill Coors’ innovation of aluminum cans in the 1950’s all the way up through their merger will Miller and their latest offerings.

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MillerCoors produces and feature a large variety of products including Coors Banquet, Coors Light, Keystone Light, the Miller Family of Beers, Killian’s Irish Red, Blue Moon, Colorado Native, Leinenkugel and Batch 19 among the others that they either produce, import or have partnered with. Midway through the tour, visitors of age are offered a sample of fresh beer. I opted to sample Banquet, and I can honestly say that it may have been the best sip of beer I have tried. It carried a quality that I have never experienced in any beer I have found at the store.

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The end of the tour also included free beer, at which point I had the chance to enjoy Colorado Native, a superb lager that Colorado is apparently keeping to themselves, Batch 19, a lager brewed according to a Pre-Prohibition recipe, and of course a mug of fresh Banquet beer.

I would encourage any beer lover to check out the local flavors of any given region they are visiting, as well as the ones that may be in your own back yard that you never considered visiting. Many breweries and distilleries for that matter offer free tours along with free samples, and typically only take up forty-five minutes of your day.

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Some of you might be wondering what this has to do with the museum. It has everything to do with Art and Ale on March 8, 2013. Each year some of the greatest local brewmasters in the region bring their beer to the museum for adults to sample while enjoying the museum and for the first time, the galleries will be open for the first hour. The sooner you purchase your tickets, the cheaper they are. Also, a “green” membership for the year is including in the price!


Akron Film+Pixel

January 18, 2013

It’s that time of year when film critics release their lists of the best movies of the past year. But many of the films listed won’t play in the Akron area until months later, if at all! Since it’s more exciting to see films when the rest of the world is talking about them, Akron Film+Pixel began a new series that brings current, critically acclaimed films to the Akron Art Museum. The first film, Miguel Gomes’s TABU, was warmly received, and we continue on Thursday, January 24th with NEIGHBORING SOUNDS by Kleber Mendonça Filho.

“We’re filling a gap for ‘arthouse’ cinema,” says Akron Film+Pixel Film Curator Tim Peyton. “Cleveland has the Cinematheque and Cedar Lee Theatre, but until now there’s been no place in Akron to see new festival films on the big screen, with an audience.”

NEIGHBORING SOUNDS deals with the fallout of a series of petty crimes in a seaside community, and the private security firm that is brought in to solve the problem. The Akron premiere is at 6:30pm on January 24th, and is free and open to the public. Seating is available on a first come, first served basis. Get full details here, or watch the trailer below.


A Week in Denver Part One: ART

January 17, 2013

By: Corey Jenkins, Communication Volunteer/Visitor Services

In December, I completed my B.A. in Communication Studies at Kent State University, and I decided it was time to take a short break. Two of my close friends had relocated to Denver last year, so I chose the Mile High City as my destination.

The Denver area has many geographic and cultural offerings, including everything from the Rocky Mountain foothills to Coors, the world’s largest single site brewery. One thing evident in the city is a strong commitment to art. In the late 1980’s Denver established a percent for art ordinance in which one percent of the design and construction budget of any single City capital improvement project over $1 million must be set aside for the inclusion of art in the new project. I was lucky enough to experience some of the city’s art offerings during my week in the area.

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I happened to be in town for First Friday in the Santa Fe Art District. The area reminded me of the Chelsea Art Galleries on a smaller scale and offered a wide variety of art. A highlight of this experience was my time at the Denver Art Society, an open-minded co-op in which many of its members keep workspaces. The artists involved in the Denver Art Society work in a wide range of mediums, and one member, Bill Manke creates “Tipsies” which are wooden toys that walk down a ramp. I was fortunate enough to purchase a piece from Travis Hetman, a Minnesota native who is an artist in residency at the Denver Art Society.

“My work is more or less a visual continuation of existential curiosity.  The treat of visual art to me is the privilege of making wild associations and the general lawlessness that comes with creative thinking.”  -Travis Hetman

I purchased a print of a drawing Hetman completed in 2009 titled The Volunteer and I returned later in the week to photograph several of his new works so that Hetman can upload them online.

Additionally, on my First Friday art walk was a visit to Core New Art Space, which was exhibiting Juego by Lola Montejo. Juego featured vibrant works that feel very active and full of motion. According to Montejo, the “work is about the process, the play.” The artist functions on intuition and considers the image to be “secondary to the art making.”

During my visit to the Denver Art Museum, their staff was in the process of taking down their Anatsui exhibit and the major exhibition was the world exclusive “Becoming Van Gogh.” Unfortunately, “Becoming Van Gogh” was sold out on the day of my visit. Fortunately, the Denver Art Museum is enormous and plenty of exciting exhibits were available to view.

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I loved walking through Fox Games by Sandy Skoglund, the opportunity to view Oceanic art and the museum’s wonderful displays of design before and after 1900. The exhibit that left the most lasting impression with me however was the historic Western American art. Located on the top level of the North Building, the pieces are displayed along with small windows that do not affect the lighting within the gallery space, but provide stunning views of the Rocky Mountains. The museum makes fantastic use of its space, and provides many fun hands on activities, for example: I made a postcard!

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Finally, I made my way to the Museum of Contemporary Art Denver. Of the several exhibitions at MCA Denver, I favored Pie-Fights and Pathos. The paintings, by Adrian Ghenie are complex, thought provoking and pull inspiration from a range of sources such as early cinema pie fight film stills to twentieth-century acts of extremism. MCA Denver also offered hands on activities including a Bubble Garden for relaxing and an area to create a butterfly to pin up on the wall. The building also boasts a deck providing a great view of the city.

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Denver is a town with a deep commitment to art; however, viewing art was only part of how I spent my time. Stop back next week to read about my experience having dinner at the Breckenridge Brewery and my visit to the Coors Brewery in nearby Golden.


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