Mernet Larsen

An Interview with Mernet Larsen Pt. 4

In part four, the artist discusses the role of humor in her work.

“Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.”—Anderson Turner, Akron Beacon Journal 

Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The artist stages ordinary scenes—people playing cards or eating dinner, a faculty meeting, reading in bed—but constructs them with vertiginous, skewed spatial relationships that convey a sense of precariousness. The disorienting treatment of perspective places the viewer inside and outside of the paintings at the same time, “as if they’re wearing the situation,” the artist describes. Along with the figures’ deadpan facial expressions and subtle body language, Larsen’s puzzling compositions reveal the essence of everyday human interaction. Wry, anxious and awkward, the paintings are frozen monuments that are simultaneously alien and familiar.

Mernet Larsen: The Ordinary, Reoriented is organized by the Akron Art Museum with support from the John S. and James L. Knight Foundation and the Ohio Arts Council.

An Interview with Mernet Larsen Pt. 3

In part 3, Mernet Larsen discusses her use of ordinary settings for her unconventional paintings.

“Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.”—Anderson Turner, Akron Beacon Journal 

Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The artist stages ordinary scenes—people playing cards or eating dinner, a faculty meeting, reading in bed—but constructs them with vertiginous, skewed spatial relationships that convey a sense of precariousness. The disorienting treatment of perspective places the viewer inside and outside of the paintings at the same time, “as if they’re wearing the situation,” the artist describes. Along with the figures’ deadpan facial expressions and subtle body language, Larsen’s puzzling compositions reveal the essence of everyday human interaction. Wry, anxious and awkward, the paintings are frozen monuments that are simultaneously alien and familiar.

Mernet Larsen: The Ordinary, Reoriented is organized by the Akron Art Museum with support from the John S. and James L. Knight Foundation and the Ohio Arts Council.

An Interview with Mernet Larsen Pt. 1

In part one of our interview, Mernet discusses her artistic inspiration.

“Larsen’s statement says she is working ‘to offer a new perspective unto life.’ Certainly this exhibit offers a look at an artist who is doing contemplative and deeply investigative work, and gives us a chance to better know a unique voice.”—Anderson Turner, Akron Beacon Journal 

Mernet Larsen (b. 1940) makes intriguing, humor- and tension-infused paintings featuring geometric figures that inhabit space in ways that defy gravity and conventional viewpoints. The artist stages ordinary scenes—people playing cards or eating dinner, a faculty meeting, reading in bed—but constructs them with vertiginous, skewed spatial relationships that convey a sense of precariousness. The disorienting treatment of perspective places the viewer inside and outside of the paintings at the same time, “as if they’re wearing the situation,” the artist describes. Along with the figures’ deadpan facial expressions and subtle body language, Larsen’s puzzling compositions reveal an essence of everyday human interaction. Wry, anxious and awkward, the paintings are frozen monuments that are simultaneously alien and familiar.

Mernet Larsen: The Ordinary, Reoriented is organized by the Akron Art Museum with support from the John S. and James L. Knight Foundation and the Ohio Arts Council.